NICHOLAS WANG

Fiction Writer | Los Angeles

Fiction where the surreal breaks into everyday life—stories caught between the ordinary and the extraordinary.

About

Nicholas Wang is a Taiwanese and Vietnamese American writer of literary fiction based in Los Angeles, where he was born and raised. He grew up on the Westside in public schools and currently resides in Mid-City. His work explores what it feels like to be surrounded by people yet fundamentally alone, the strangeness lurking in ordinary moments, and the split seconds when the world reveals itself as something other than what we thought it was.

Wang has lived in Chicago, Houston, and San Diego, and spent years working in restaurants—from dishwashing to bartending. He has also worked as an EMT and has a degree in kinesiology. These experiences have taught him to notice how people move through their days, the small moments that reveal something true. His characters exist in the gaps—between connection and isolation, routine and rupture, the life they're living and the one slipping away from them.

He writes primarily short fiction, blending realism with elements of magical realism and the absurd. His stories tend to be set in LA—from tar pits and oceanside piers to under overpasses and apartment bathrooms—where the magical and surreal emerge from the utterly real.

Wang is currently studying in the Advanced Short Story class at UCLA Extension Writers' Program and is a member of the Robertson Writers Group.

The Collection

IN GOO is a literary fiction collection of thirteen stories (approximately 45,000 words) set in contemporary urban America, where the surreal breaks into everyday life and ordinary people confront the impossible.

The collection examines how we lose ourselves in the sprawl of modern life—sometimes gradually, sometimes all at once. A man's hand falls off while waiting for the bus. A bartender descends into a restaurant basement and finds himself trapped in an endless staircase. A homeless man navigates a sweltering day under a freeway while the city ignores his existence. Set against the backdrop of tar pits, freeways, and apartment bathrooms, these stories find the magical and surreal embedded in the utterly real.

Moving between stark realism and surreal absurdism, IN GOO explores loneliness, loss, memory, and the feeling of being stuck in the world we live in today. Told with wry humor and a distinct voice, the collection will appeal to readers of George Saunders, Carmen Maria Machado, and Nana Kwame Adjei-Brenyah—stories that combine absurdist compassion with surreal transformations.

Status: Complete manuscript available. Currently seeking representation.

Publications & Recognition

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Selected Work

In Goo (~3,000 words)

He checked himself out one last time in the mirror, adjusting his collar and rubbing his freshly shaven chin, and then walked out of the apartment. Summer was starting, and although the day was still quite early, the morning dew was already vanishing into the atmosphere. He slipped on some sunglasses and breathed in the pleasant scent of gasoline and garbage.
A sharply-dressed man escapes his monotonous life for an impromptu walk through Hancock Park, where he encounters the La Brea Tar Pits and a precocious six-year-old who asks questions he can't quite answer. A meditation on being stuck, being alone, and the small moments that remind us we're alive.

Drumstick Nub (~2,500 words)

He had been waiting for the bus to arrive when it happened. There was no blood, no pain, and no one to witness it. It had simply fallen off. One moment it was there, attached to the end of his arm, just like always, and the next it was on the ground, beside some withered leaves and bits of litter. A few seconds later, a city worker had swept it right into his bin. He had earbuds in and was whistling something out of tune.
A man's hand falls off without warning while waiting for the bus. As he attempts to navigate his life with this inexplicable loss, the story follows the cascading consequences of a single surreal event. A darkly absurdist exploration of how we lose ourselves, piece by piece.

Omakase Sushi Bar (~6,000 words)

It felt like I was being sucked into a big, black hole. A total, absolute nothingness that gradually crept over my body, enveloping me like a cold fog. Little by little, I was becoming a part of it. Or, maybe it was becoming part of me. Maybe I was fading away altogether. Either way, I felt myself losing my place in the world, there, deep beneath the ground. I could hardly even hear my heart thump anymore.
A night in Chicago when the power goes out and a bartender descends into the restaurant's basement to find the circuit breaker. What begins as a routine task becomes a surreal journey into an impossible space. Told years later to his cousin over coffee in California, the story explores the fear of being trapped, the unreliability of memory, and the thin line between the real and the unreal.

Parachute, Parachute (~4,000 words)

I hadn't dreamt in a long time. In fact, I couldn't remember the last dream I had. I knew I used to have dreams—at least, periodically, as a girlfriend of mine had once told me that I murmur in my sleep.
Years after a breakup, a man discovers his ex-girlfriend's dream journal—and finds a record of words he spoke while sleeping. A story about the things we fail to say while awake, the complacency that quietly erodes love, and how we learn what we've lost only after it's gone.

Can 'uh Beans (~2,000 words)

It was sweltering. The kind of day where, if you put your head close to the ground, you could see little ripples and waves rising in the air above the pavement. Where you could get a second-degree burn from leaning against a car left in the sun.
William lives under the I-10 freeway with his shopping cart and moves slowly through a Los Angeles that barely registers his existence. On a brutally hot day, he navigates his small world while a stranger's song about beans drifts through the air. A story of invisibility and survival, told with compassion and unflinching clarity.

Let's Connect

Currently seeking representation for IN GOO, a literary fiction collection of thirteen short stories where the surreal breaks into everyday life.

For representation inquiries or to request the full manuscript:

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